{"id":506,"date":"2020-09-02T18:14:00","date_gmt":"2020-09-02T16:14:00","guid":{"rendered":"https:\/\/semiografia.art\/?p=506"},"modified":"2020-10-13T18:18:36","modified_gmt":"2020-10-13T16:18:36","slug":"punkt-wyjscia-w-wersji-2-0","status":"publish","type":"post","link":"https:\/\/semiografia.art\/index.php\/2020\/09\/02\/punkt-wyjscia-w-wersji-2-0\/","title":{"rendered":"PUNKT WYJ\u015aCIA W WERSJI SEMIOGRAFIA 2.0 | STARTING POINT VERSION SEMIOGRAPHY 2.0"},"content":{"rendered":"\n[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.4.8&#8243;][et_pb_row _builder_version=&#8221;4.4.8&#8243; column_structure=&#8221;1_2,1_2&#8243;][et_pb_column _builder_version=&#8221;4.4.8&#8243; type=&#8221;1_2&#8243;][et_pb_image src=&#8221;https:\/\/semiografia.art\/wp-content\/uploads\/2020\/10\/RENESANS-_WERSJA-Z-WWW.jpg&#8221; _builder_version=&#8221;4.4.8&#8243; title_text=&#8221;RENESANS _WERSJA Z WWW&#8221; hover_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column _builder_version=&#8221;4.4.8&#8243; type=&#8221;1_2&#8243;][et_pb_image src=&#8221;https:\/\/semiografia.art\/wp-content\/uploads\/2020\/10\/RENESANS-_WERSJA-Z-WWW2.jpg&#8221; _builder_version=&#8221;4.4.8&#8243; title_text=&#8221;RENESANS _WERSJA Z WWW2&#8243; hover_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.4.8&#8243;][et_pb_column _builder_version=&#8221;4.4.8&#8243; type=&#8221;4_4&#8243;][et_pb_text _builder_version=&#8221;4.4.8&#8243; hover_enabled=&#8221;0&#8243;]<p><span><strong>PL.<\/strong> Do realizacji Semiografii 2.0 wykorzysta\u0142am siatk\u0119 kt\u00f3ra u\u017cyta by\u0142a przeze mnie w projekcie malarskim pt. RENESANS z 2008 roku i wynika z podzia\u0142u kwadratu i poszukiwa\u0144 jego z\u0142otych proporcji. | <strong>ENG.<\/strong> For the implementation of Semiography 2.0 I used a grid that was in my the painting project RENAISSANCE (2008) and results from the division of the square and the search for its golden proportions.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880"},"categories":[3,8,9,4],"tags":[],"_links":{"self":[{"href":"https:\/\/semiografia.art\/index.php\/wp-json\/wp\/v2\/posts\/506"}],"collection":[{"href":"https:\/\/semiografia.art\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/semiografia.art\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/semiografia.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/semiografia.art\/index.php\/wp-json\/wp\/v2\/comments?post=506"}],"version-history":[{"count":4,"href":"https:\/\/semiografia.art\/index.php\/wp-json\/wp\/v2\/posts\/506\/revisions"}],"predecessor-version":[{"id":513,"href":"https:\/\/semiografia.art\/index.php\/wp-json\/wp\/v2\/posts\/506\/revisions\/513"}],"wp:attachment":[{"href":"https:\/\/semiografia.art\/index.php\/wp-json\/wp\/v2\/media?parent=506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/semiografia.art\/index.php\/wp-json\/wp\/v2\/categories?post=506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/semiografia.art\/index.php\/wp-json\/wp\/v2\/tags?post=506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}